REVIEWS
...a dark delight...at once impressive and beguiling... If you've never seen Das Flüff live there is a hole in your life that you're not yet aware of.
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Disturbing? Creepy? Yes, in a beautiful way...
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...powerfully evocative ... releasing deep soul-stirring breathes of agony and ecstasy...
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Ritmiche magmatiche, spietate e ossessive, linee di basso assassine che farebbero sbavare i Clock DVA di Buried Dreams e la voce graffiante e incisiva di Dawn sono il trademark di Das Fluff, che con questo Maximum Damage dipinge l'ennesimo anthem schiacciasassi, forse uno dei migliori di tutta la carriera.
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One of the standout albums within the electronic alternative music scene of 2020.
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...sleazy, sweaty and dripping with sensuality...
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..their most compelling and striking release yet.
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Stinging, Seductive, Take-No-Prisoners Glory: Das Fluff’s “Maximum Damage”
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...sensually evocative pained female vocals, alternating between harsh angry guttural cries and disquieted whispers interspersed with daring emotional rebellion to form a dark soundscape countdown of apocalyptic doom.
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9/10 THIS VIDEO IS A MUST-WATCH
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A never-less-than-thrilling blend of primal yin and cerebral yang … However dark they may some times be, however ecstatic or fraught, you’ll recognize your own desires in these songs.
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Her vocals are raw, powerful and drag you into the dark, filthy world of DAS FLUFF.
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'I can’t help but think of Anxiety Dreams as a masterpiece of an album, as vicious as it is haunting and hypnotic.
(The Punk Lounge)
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An album to listen to after dark, with the curtains wide open as you watch the bombs fall outside.
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The Anxiety Dreams LP is a striking combination of the dark, emotive and playfully dramatic. The manifold nuances of Dawn Lintern’s vocals, which have been compared to that of Siouxsie Sioux, encompass a wide range of shades revealingthe highly sensitive personality of an artist who shamelessly expresses the anger she feels about contemporary society.
Review available in Spanish and English
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A track which instantly had appetite and imagination on red alert as fluid electronic squirts align with inescapably coaxing beats while electro punk tendencies gather. In no time it breaks into its infectious stroll with Dawn’s melodic tones as mercurial in expression and attitude as the sounds around her. It is a rousing start to the album, a magnificent trespass of temptation and multi spiced sound seeing lips being licked for what is to follow...
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DAS FLÜFFs viertes Studioalbum, Anxiety Dreams, ... nimmt die klangvolle Reise der Band auf einen finsteren Weg zu einem Ort, an dem hungrige Wölfe lauern.
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'A post-punk band with experimental, filthy electro sound added to traditional punk chords and instruments...beautiful and powerful setlist, Dawn Lintern is the woman with the voice for Das Fluff, while she transforms to a wild punk rocker'
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Das Fluff selected for Jammerzine's
The 17 of 2017: The Standout Artists of 2017
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...pure drama, an irresistible fire of emotion and intensity borne of daring imagination…and that pretty much sums up Flower With Knife...
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...Sängerin Dawn Lintern, ebenfalls aus London, bietet mit ihrer Stimme und einer avantgardistischen Show einen unvergleichlichen Auftritt...
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...in your face from the start, pumping out that sexy rhythmic stomp as if it’s the last thing you’ll ever hear...
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Das Fluff are awesome, not just a little bit awesome, but stupendously awesome.
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Far Gone is an irresistible proposal for the body and imagination to dance to and more than a thick convincing that the next offering from Das Fluff, and their acclaimed last for newcomers, should be highly anticipated.
(The RingMaster Review)
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It's Florence + The Machine meets Pendulum! It's like riding on a rollercoaster powered by a rocket engine, a 100% Octane fuelled piece of musical menace!
Or as we say in Yorkshire "it's rate good"!
(Chris Straw - Producer, Bauer Radio)
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Without doubt the classiest act of the festival, the superb Das Fluff brought their dark, brainy, elegant cabaret noir all the way from Berlin.
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Flower with Knife isn’t just their best record yet but by any standard a fucking sensational one, leaving your reviewer at least slightly in awe as well in need of amending this review’s first line: Some things never change except for the better and thank fucking god for that.
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The deranged love child of Debbie Harry and Freddie Murcury set to the melodies of Goldfrapp.
(seesound.co.uk)
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Lintern's voice, when not being dramatic, forceful, full of portent, hits these celestial interludes. Not sweet exactly - bit too spooked for that - but lilting. hypnotizing. Her presence truly is alluring, dangerous, charming. Coquettishness edged with menace. Star of the night, there can be no doubt about that.
(KZME Radio review live performance in Portland, Oregon)
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If that didn't make you sit up and listen, I don't know what will.
(Ruth Barnes, Amazing Radio)
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This type of electronica is providing more lyrical and stylistic risk taking which Das Fluff and others such as The Knife and Gary Numan are willing to take.
(musicandotherthings.com)
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Adding punk edge to the surging beats of Numan and Depeche Mode inspired electro, with a bit of Throbbing Gristle chucked in for good measure.
(hitthefloor.com)
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A great collection of strong songs, skillfully crafted, well-recorded and performed. On Meditation and Violence, we have evidence of an artist who has the confidence to pursue her vision, which is never a bad thing. If you like music with darker depths, that seeks to shine a light on the spirit of the age whilst giving you something to hum along to, this is the album for you. Highly recommended.
(Redefine Magazine)
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A dark confessional about cyber-stalking from debut album 'Would You Die For Me', a compelling electro-pop rollercoaster featuring formidable front-woman Dawn Lintern.
(The Independent)
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